Aamir Khan's comments that his 3 Idiots character Phunsukh Wangdu was not based on Sonam Wangchuk has triggered reactions from politicians, activists and social media users, with some accusing the actor of distancing himself from the educationist, who is currently on a hunger strike.
'Cinema is such a powerful medium. It is not just the emotional impact, but some of these films are so strong that your entire body cannot help but react.'
'How will this woman find her? And how does that affect her, because it's not a biological relationship.'
Payal Kapadia, celebrated for her Grand Prix win at Cannes, has been appointed jury president for the 65th Cannes Critics Week.
A 40-year-old lost Malayalam cinematic gem, John Abraham's Amma Ariyan, has been meticulously restored in 4K by the Film Heritage Foundation and is now set to grace the prestigious Cannes Classics section
If TVK MLAs and ministers are perceived as clean, or demonstrably cleaner than their predecessors, the credibility dividend will be enormous. The voter will feel rewarded, points out Ramesh Menon.
Mumbai-based menswear designer Priya Patil who recently showcased at Paris Fashion Week 2026, talks about her inspiration to design and transform menswear fashion in India.
Pankaja and O'Sey Balamma bring deeply personal yet universally resonant stories to Sundance. They represent a new wave of South Indian storytelling, blending cultural authenticity with cinematic innovation, and mark an important step in amplifying regional voices on the international stage.
Arundhati Roy's 1989 film, In Which Annie Gives It Those Ones, which won two National Awards for Best Screenplay for Roy and Best Feature Film in English, is among the line-up of 10 films for the Berlinale Classics segment.
The Union Budget backs skilling across animation, gaming and comics. But creators and studios confront a hard question: who owns what comes next?
Sunflowers Were the First Ones to Know, an award-winning Kannada short film by Film and Television Institute of India students, has qualified for the 2025 Oscars in the live action short film category.
'In a world that's loud and fractured, this is my small offering of softness. Of love.'
Born on June 25, 1951, Shah was a prominent figure in Indian cinema and television. His career spanned several decades, during which he earned acclaim for his comedic timing in movies such as Jaane Bhi Do Yaaro, Maalamaal, Hero Hiralal, Main Hoon Na and Kal Ho Naa Ho.
'We are not AI. We are allowed to break, and rebuild.'
Om Puri would have been 75 in October. We look back at his early years through these 16 pictures from his life.
With Piravi, Shaji N Karun joined the select group of great masters of film. Malayalam once upon a time used to produce such films. Today, it is only mindless violence, politics and grotesque humour. The films have no soul, although they are technically quite good. With Shaji's passing, and earlier with his mentor G Aravindan's untimely death, an era is coming to an end. Rajeev Srinivasan salutes the master, who passed into the ages on April 28.
Chidananda S Naik's Sunflowers Were the First Ones to Know... won the first prize and Mansi Maheshwari's animation film Bunnyhood won the third prize in the La Cinef competition in Cannes.
From India's entry to the Oscars to the foodie flamboyance of Bollywood's first family to Srikant Tiwari's hope for a hat-trick and Korean entertainment in deeply dark mode, it's raining OTT goodies this week.
'I wasn't just racing, I was paving the way for others.'
'The way the anticipation is built up for Gabbar Singh's introduction scene with sound, image and details of his personality, like the combat boots he wears.' 'The camera comes so close -- not a tele lens shot, but a wide-angle close-up -- that you can almost smell Gabbar's breath.'
Never before in history have Cannes and its sidebars found space for eight Indian, or India-themed, films.
Ram Gopal Varma's Rakht Charitra was the first and last film for which Shatrughan Sinha was persuaded to shave off his trademark moustache.
'He was a tremendous artist of a very high order, gone too soon. He not only reshaped the visual language of Indian Cinema through his cinematography in Aravindan's films, Shaji sir gave us all a sense of direction through his mainstream work as a cameraman.'
'Naseer does not have the sense of humour that Om Puri has. 'Also Om has a great deal of compassion as a human being. Naseer was too focused on his own self.' A fascinating excerpt from Sangeeta Datta's book, Shyam Benegal.
More screens, more films, and longer windows will convert to more people watching, assuming they know a film is releasing, points out Vanita Kohli-Khandekar.
'Thank you to the Cannes Film Festival for having our film here. Please don't wait 30 years to have another Indian film.'
'Agra is about sexuality and sexual repression, and the relationship of sexuality to the physical spaces that we are in.'
'I was body-shamed but I never let it get to me.' 'As an influencer, I wanted to show other girls that confidence matters more than size.'
The Film & Television Institute of India, Pune, invites applications for admission to courses in film and television.
The National Film Archives of India and the Film & Television Institute of India invite you to attend the four-week full-time summer course in Film Appreciation at Pune.
'My family are the mainstream audience and think I am wasting my time. Until I make a Rs 100 crore film, they won't be convinced.'
'I don't think Waheeda had the confidence that I could pull it off, so she said no.'
'Usually, we are always worried that we are missing out something in life.' 'We are very keen for the audience to have this as a cinema experience in theatres.' 'You get the rare chance to be patient.'
The Malayalam actor has signed on to star in Abhay Simha's Kannada film Shikari. Talks are on to rope in Konkana Sen Sharma as the female lead.
'I hadn't worked for three-and-a-half years.' 'I felt industry was based on who you knew.' 'I didn't belong to a network.'
'Mrs shows a dark side to the son and the father.' 'I had to do things that I wouldn't dare to do in real life.'
